Studio
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Access 2012 |
My studio is a perfect place. Because it exists not only as
a geographical space but as an idea, a simple clean flawless idea, a fertile
bright place of imagination and creativity. The physical attributes are
marvelous, but the concept of the studio elevates it to perfection. No place is
more safe or more magical. It remains both a destination for me and a place
from which to set off. I have always filled my studios with objects and
materials, talismans, nostalgia and imagination. My walls are covered with
potential, the floor is bright with residue and evidence. At the door is a
threshold, once inside I know who I am. I can build, I can draw, I know I am
the grandson and the brother, I know I can make. My studio is a perfect place.
It is the place where I imagine what is next.
The works I generate in my studio are my efforts to communicate
with my audience in the best ways I know how. My art always has a physical
presence, either through a performer or a lumpy object. The work exists to be
touched and experienced, often the experience is paramount and the objects play
a supporting role. We as a people simply feel better when we physically engage
an experience. Our greatest joys come from physical presence and encounters
with life which are moving forward impervious to our control. We cannot rewind
or fast-forward our everyday interactions with people and places, and that
constant forward motion allows us to feel risk and excitement and ultimately joy
in the success of making it through any given situation.
I base my art on systems, routine, and ritual. The work
prods the templates surrounding systems of loyalty, rally, journey, adventure,
observation, indulgence, and fascination. My practice consists of looking,
gathering, making, and then activating. My art appears as many things from the
handle, the grip, a weight on your foot, the tracks left behind, even the rocks
forming the ring for the fire. I expect my audience to fill in the blanks at
the end or the beginning or the middle, especially the middle. I love the
middle. I love the place between two points, just before you get there but
definitely after you have left, the diver after the board but before the water.
I love the middle, the ever expanding impossible to confine middle.
The audience often becomes my collaborators. The crossover
from audience to collaborator should be seamless and quick. In many of my
projects my fellow artists and I am concerned most with giving our audience an
access point to join us in the creation of art. A place for them to begin
developing ownership over their experience and consequentially the piece itself.
The participants must engage the space, the objects, the artists/performers,
and the other members of the audience. Mixing together until the combination
and participation of everything becomes a full and complete change for them.
The hope is to mark our audience in their psyche, building monuments in the
timelines of their lives, giving to them a new and different way of being.
My practice
starts media blind. Beginning with an idea, a thought that feels important, and
which I believe should be communicated. That idea gets researched investigated
looked at from many angles, and run through the critical wringer until it
becomes an intention. Once I have my intention, I seek out which ever medium
best articulates my intention. Video, sculpture, paint, performance, or a
hybrid variation of materials and techniques which fall between classic genres.
The work then begins a vigorous shake out and strategy process. How will this
work be seen, where, when and under what circumstances? I want the reception
point of the work to be as thoughtful as the aesthetic treatment. Art may
behave very much like the ordinary, but there is a shift from normal to
extraordinary, the same shift which occurs on the threshold of the studio. When
an audience becomes active and art engages and begins to exist, when is art
rather than what is art. I have been chasing a definition of art for years. I
anticipate never fully finishing my definition. That search is what makes my
studio perfect.
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